There is sufficient evidence to hypothesize that reincarnation is real—whether one believes in it or not. In other words, once we enter the human zone between the material and spiritual universes, we don’t get to exit without a diploma. It’s either mastery of the human condition or repeat until you get it right.
The stranglehold that Justinian’s Council of Constantinople placed on the concept of reincarnation and the Gnostic approach to truth through personal experience held fast for about a millennium. But there’s an odd thing about truth, especially those dealing with fundamental principles. It is resilient; it keeps coming back until it is recognized as valid. And so it happened with the doctrine of reincarnation.
This 3-part series focuses on the role of reincarnation, one of the more complex of the paranormal phenomena encountered in the visionary environment. With it as an example, I hope to illustrate that the various psychic elements are actual features in the visionary realm we inhabit, just as stars, planets, mountains and oceans are part of our physical environment.
Around the turn of the millennium, several of us authors-without-a-genre had a vision that we framed into words on the then-Yahoo Visionary Literature Forum.
Let’s suppose, as projected in Part 1 of this series, “The Bucket,” that Visionary Fiction has become as prominent a genre label as Science Fiction or Mystery. Now let’s consider the ingredients writers must put into a work to have it qualify for the Visionary Fiction bucket and what experiences or benefits readers can expect in a work pulled out of that bucket.
By Victor E. Smith
“We tried mightily to get the retailing powers to start a visionary fiction shelf. We came close with Walden, but the suits at B&N, alas, took the position of ‘no one is coming into the store asking for visionary fiction’,” said editor Bob Friedman of the situation as he saw it at Hampton Roads Publishing some years ago.
Flybys are not flukes. At first they may seem to appear by accident, luck or chance, which, if true, would make them a dastardly unpredictable source for a visionary story or anything else of worth. While keeping aside the worthy argument that nothing is truly accidental, let’s look at ways to increase the odds of returning from the hunt laden with healthy flybys .
Where do the ideas and visions that eventually become complex cities and timeless books come from? I don’t know actually—how to blunt a piece from the get-go! However, I do know that they first show up as blip of light barely large and lasting enough to evoke a “What the heck was that?” It gets a smidge of our attention before it flicks on by.